Transient Visions Festival of the Moving Image
October 18 – 19, 2019
Spool Contemporary Art Space
138 Baldwin Street
Johnson City, NY 13790
October 23, 6-9pm
University of Tampa
At the intersection of art and technology the artists selected for CONNECT 2019 are experimenting with space, time, form and sound while re-examining the way we communicate ideas and tell stories.
The eighteen artists represent thirteen countries and a variety of styles and processes. The results range from sensual abstraction to the strange visual effects of computer coding.
The work addresses personal, social and political issues relevant to our times.
Our common thread is an interest in expanding the concepts of art/film/technology and exploring the medium itself. We initially connected via Internet – Facebook / YouTube / Vimeo.
Most of us have never met in person but we have established a strong camaraderie through shared screenings around the world and/or our common love of the moving image.
Dee Hood, Curator, CONNECT 2019
Sept 20-21, 2019
624 North Victory Boulevard
Burbank, CA 91502
curated by Lili White
Anthology Film Archives
2nd and 2nd, NYC
July 17, 2019. 6:00 PM
with works by Lana Z Caplan, Evelin Stermitz, Giselle Chien, Meredith Moore, Sarah Harbridge, Caryn Cline & Linda Fenstermaker, Morrison Gong, Lisa Danker, Karissa Hahn, Maureen Zent
including Autopoiesis (still above) – US Premiere!
Tuesday, July 16th at Böttgerstraße 13, Berlin
Artists Without a Cause invites you to join us for our film screening “Consciousness of Changing Climate”! Featured films surround the topic of climate change and human relationships with this issue. This screening aims to explore, familiarize, and bring awareness to the environments around us. Along with this, AWAC and featured artists hope to show both abstract and direct examples of how climate change is effecting humans and other ecological functions.
– “Oro Blanco” by Gisela Carbajal Rodríguez
– “Questions for a Dinosaur” by Rachel Garber Cole
– “Panorama Panik Botanik” by Vera Sebert
– “Techno Inferno” by Farhanaz Rupaidha
– “Patches of Snow in July” by Lana Z Caplan
– “Totem” by Alex MacKenzie
video still from Patches of Snow in July
San Diego Art Institute
Curated by Carlos Castro Arias & Sarah Trujillo-Porter, Deviate / Landscape revolves around contemporary approaches to artmaking that deal with the idea of landscape as a constructed and deconstructed space. The selected artists use painting, video, installation, photography and other mediums to explore landscape. The selected works use landscape as a metaphor for time and transformation but also highlight contemporary political and environmental issues.
Miguel Arzabe, Lana Z Caplan, Carolina Caycedo ,Remi Dalton, Ashley Fenderson, Jessica Ling Findley, Eleanor Greer, Richard Keeley, Adam Manley, Carolina Montejo, Hillary Mushkin, Arzu Ozkal, Scott Polach, Rachelle Reichert, Jon Rodley, Daniel Ruanova, Ali Silverstein, Eva Struble, Bradley Tucker, Cesar Vasquez, Jevi Joe Vitug
Image: Daniel Ruanova, History of Manimals III, 2017. Photo courtesy of the artist and Parque Galería CDMX
May 1-4, 2019
more information: http://echofluxx.org/ECHOFLUXX19/PressReleaseE19.pdf
May 24 to 27, 2019, at Braziers Park, Oxfordshire
UK premiere of Autopoiesis
Viernes 29 de marzo, 18:00 hrs.
Atletas No. 2 (Estudios Churubusco).
Bodega D, PB.
Colonia Country Club.
México, D.F. 04220
Presentados por Anarchivia A.C. y ULTRAcinema
Facebook Event Page
March 19 – April 1, 2019
San Antonio de Ibarra, Imbabura. Ecuador
March 21, 22, 23, 24 – 2019
Boston, Feb. 2 & 3, 2019
Program 8: The Inner Life of Space
Lumen, Richard Ashrowan, 16mm, 2018
Girl Becomes Snow, Ryan Betschart, SD, 2017
The Future, Pamela Breda, HD, 2017
The Symphony of Names: No Man is and Island, Elizabeth Withstandley, 16mm, 2018
Re-entry , Pierre Yves Clouin, HD, 2017
Boral Pather Panchali, Alex Cunningham, HD, 2018
Gibraltar Point (transformed), Penny McCann, 16mm, 2018
Anxiety, Muge Yildiz, Super8/16mm, 2016
Gede Vizyon, Marcos Serafim, Jefferson Kielwagen and Steevens Simeon, HD, 2018
Winter’s First Moons, Kathleen Rugh, 16mm, 2018
In front of the Sea, Yaniv Touati, SD, 2017
Farewell Transmission, Mike Rollo, 16mm, 2017
Maelstroms, Lana Z Caplan, HD, 2017
“The second half of our Focus on Locus double-header features two world premieres—exquisite expanded cinema/retinal rivalry pieces by the Mission’s own Greta Snider, plus a timely revival of her epochal 16mm diary Portland, train-hopping with Ivy McClelland and Iggy Scam!
Lana Caplan breaks away from her SLO college gig to unspool a NorCal debut, Patches of Snow in July (Hawaii volcano), as well as her earlier Maelstroms (Mexico border).
In his farewell appearance, long-lost ally Alex Coppola flies in from Philly to not only open the show, but close it as well, with his world-class World Music vinyl selections, set to an absolutely sublime sampler of mid-20C personal travelogues—Glimpses of the Global South, glorious Kodachrome shot in four sites, moving east around the planet—Hong Kong, Tahiti, the Andes, and the Amazon.
As to marginal spaces in the US interior: Brea Weinreb debuts Framing History, a collective S8 remediation of home movies from Japanese internees in the Amache, Colorado camp.
PLUS: Matt McCormick’s cautionary America Nutria, on a Southern mammal now munching on Coast rhizomes!” … othercinema.com
ATA Gallery, 992 Valencia (@ 21st), San Francisco
Boston Cyberarts Gallery
November 10 – December 16, 2018
Reception Friday November 16, 6-8pm
The Future of History is the second in a series of two exhibitions that present works that pair art and technology in a thought provoking and visually engaging manner. Works that address, rather than use, technology on a conceptual level are featured as well. The Future of History features work by nine artists from as far away as Pakistan to local Boston based artists. From video montage saturated with contemporary media, to uncanny landscapes imaged with a scanning electron microscope, to delicate 3D printed butterflies the works in this exhibition leverage art and technology to delve into questions about culture and the environment.
more information: https://bostoncyberarts.org/future-of-history-a-group-exhibition-of-art-and-technology/
Patches of Snow in July
Saturday November 17, 2018
Program curated by Théo Deliyannis and Collectif Jeune Cinéma
AVANT TO LIVE
DEC.22: NEW EXPERIMENTAL WORKS
“For over 30 years now, the OC season has been consummated with an energized evening of radical expression and film form, with many of the artists in person (7!). Spot-lit on this round are Jeremy Rourke’s performance may two thousand and eighteen, Bryan Boyce’s Fake but True, Tim Johnson’s March of Tim, and David King’s Male Men, all world premieres with makers present. ALSO Greta Snider’s A Small Place, Julie Murray’s Wind Wire Wound, Sabine Gruffat’s A Return to the Return to Reason, Lana Caplan’s Play and Repeat, Haley McCormick’s Dancer, Mark Street’s ZOOM, Montgomery Cantsin’s Smythe, Anthony Buchanan’s I, Chris, and the No. American debuts of Michael Fleming’s Never Never Land and Bori Mate’s Silent Spring Seahorse. A Robert Todd short is also included, in memory of this lovely gentleman who has passed from our world. Closing this colossal group show is Alex Cruse and Kevin Lo (Drought Spa), with a new performance A Fume, on fractured pressures in volatility’s mouth. Fruitcake and free pencils!!” Other Cinema
@ATA Gallery, 922 Valencia, SF, CA
October 11-22, 2018
Victoria, BC, Canada
Canadian Premiere of Patches of Snow in July
Program: Imperial Valley
Tuesday October 16, 7pm
Program details here
‘EMPIRICAL IDEOLOGIES September 2018 Issue‘ includes a selection of 30 films that explore activism, policy and politics around scientific and social issues.
Maelstroms available to watch for the month of September as part of the 26th issue of Labocine titled “Empirical Ideologies”.
For free access to the issue use the code: SCINEMA18
Lafayette City Center, Boston
June 10 – November 17, 2018
Reception November 17, 4 – 6pm
THE VAST LAB
July 6 – July 27
Opening Reception: 7/6, 8-11 pm
Closing Reception: 7/27, 8-11 pm
May 21, 2018, 7:30pm
Microscope Gallery Event Series
including Lana Z Caplan’s Patches of Snow in July
w/ works by Yun Chen, Lana Z Caplan, Naval Cassidy, Josh Drake, Meredith Drum, Liliana Farber, Sasha Waters Freyers, Johannes Gierliger, Karissa Hahn, Michael Lyons, Jesse Malmed, Jeremy Moss, Tim Pickerill, Mike Rollo, Margaret Rorison, Rachel Rosheger, Livia Sa’, Benjamin Lundberg Torres Sánchez, Rebecca Shapass, Barron Sherrer, Amanda R. Wallace, Travis Wood
June 6-10, 2018
Including PATCHES OF SNOW IN JULY
Program: Shorts 3: Short-Circuit Control
Friday, June 8, 6:30 pm
Accents of Air and Earth
[A selection of works programmed by Mike Rollo]
This Must Be the Wood | Anna Hogg
2016 | 16mm | 8mins
Saari | Ella Mikkola
2016 | HD | sound | colour | 6mins
Laura | Tânia Dinis
2017 | HD | sound | colour | 11mins
Errata | Lana Z Caplan
2017 | HD video | sound | colour | 21mins
Lookout | Kyath Battie
2016 | HD | sound | colour | 12mins
Citizens Against Basswood | Jaimz Asmundson & Karen Asmundson
2013 | Super 8 to HD | sound | colour | 3mins
La Cinémathèque québécoise | Montreal
10 May 2018 | 20:00
~ an evening of psychedelic cinema and expanded consciousness to compliment the hallucinatory sights and sounds from the weekend’s Far Out Nashville Music & Art festival.
MAY 10th, 2018
at Jack White’s THIRD MAN RECORDS in the Blue Room
Boston Cyberarts Gallery
Group exhibition including Canaries in the Mine (part 4)
November 10 – December 16, 2018
Opening reception on Friday November 9 from 6 to 8pm
a one year anniversary of resistance
Jan. 21, 8pm
Museum of Human Achievement, Austin, TX
presented by Experimental Response Cinema
Including Lana Z Caplan’s Maelstroms
“Following up our pre-inauguration F*CK TR*MP screening of 2017, Experimental Response Cinema presents TR*MP TH*S!, a program marking one year anniversary of the TR*MP presidency. Experimental works in this program respond to a year of racism, sexism, homophobia, religious intolerance, environmental degradation, corporate greed, Wall Street malfeasance, gun violence, corruption, voter suppression, foreign intervention in elections, defunding health care, human rights, income inequality, BLM… well it’s an endless list, not to mention buffoonery, narcissism, pathology, lies, obsessive twittery…” Experimental Response Cinema
Program information here:
image: Kelly Gallagher
Nothing to Declare: Transnational Narratives
curated by Ginger Shulick Porcella
October 7 – December 31, 2017
Museum of Contemporary Art Tucson
Participating artists: Lana Z Caplan, Saulo Cisneros, Wesley Fawcett Creigh, Miguel Fernández de Castro, Einar & Jamex de la Torre, Blane de St. Croix, Francisco Eme, Louis Hock, Khaled Jarrar, Haydeé Jiménez, PANCA, Omar Pimienta, Marcos Ramirez ERRE, Diana Shpungin